The PDF manual is being revised right now. This HTML manual is up to date and was last updated September 10, 2020.
Click on the tabs to the left to navigate the manual.
The PDF manual is being revised right now. This HTML manual is up to date and was last updated September 10, 2020.
Click on the tabs to the left to navigate the manual.
Logitek Electronic Systems, Inc.
5622 Edgemoor Dr.
Houston, TX 77081
United States of America
Tel (713) 664-4470
Web logitekaudio.com
Email support@logitekaudio.com
Copyright © 2020 Logitek Electronic Systems, Inc.
Notice
Every effort has been made to supply complete and accurate information. However, Logitek Electronic Systems, Inc. assumes no responsibility for its use, nor any infringement of patents or other rights of third parties, which would result.
This product contains Livewire and Livewire+ technologies used under license from TLS Corp. TLS Corp patent information is available at https://telosalliance.com/legal
This product contains Ravenna technologies used under license from ALC NetworX GmbH.
Dante is a trademark of Audinate Pty Ltd and its technologies are used under license. Audinate patent information is available at https://www.audinate.com/legal/patents-and-trademarks
Worldwide rights reserved. Except for your own personal use, no part of this publication may be stored in a retrieval system, transmitted or reproduced in any way, including but not limited to photocopy, photograph, magnetic or other record, without the prior agreement and written permission of Logitek Electronic Systems, Inc.
Logitek is a trademark of Logitek Electronic Systems, Inc.
All other trademarks acknowledged.
Thank you for purchasing a mixIT Audio Console System. The mixIT is an affordable, easy to use Audio overIP system. With support for Ravenna, Livewire+, and AES-67 AoIP built in and Dante support available as a plug-in option, the mixIT is easy to integrate into an existing AoIP facility or the perfect introduction to the world of AoIP.
The mixIT is powered by the JET67 Audio Engine. The JET-67 is where all of the audio and network connections are made. It also delivers power to the audio console. We designed the JET67 to have sufficient inputs and outputs to connect most studio equipment for the room based on fader size.
A 4 port Ethernet switch is built into the JET-67. It has two 1GB ports and 2 10/100 ports. The Ethernet connections are used to configure the engine and to connect Audio over IP devices.
Logitek customers with older JetStream Mini and JetStream Plus Audio Engines can also use the mixIT console in place of the JET-67 with a special power supply available from Logitek. The setup of these systems is covered in a different manual.
The mixIT console is not compatible with the Logitek AE-32 Audio Engine.
The mixIT-12 console is a kit that contains the following:
MIXIT-C12 mixIT 12 Channel Surface
JET67 JET67 Audio Engine with 2 J67-I/O cards installed.
This system contains:
The mixIT-6 console is a kit that contains the following:
MIXIT-C6 mixIT 6 Channel Surface
JET-67 JET67 Audio Engine with 1 J67-I/O cards installed
This system contains:
This is a card that plugs into the main DSP board of the JET-67 and adds 32 x 32 channels of native Dante networking in addition to the AES-67 networking built into the JET67.
If you did not order the JET-67 DANTE card when you bought your system and decide to add it later, it can be installed in the field. The only tool you will need is a screwdriver.
Founded in 1979 by two Rice University students, Logitek has made audio consoles for television and radio for more than 40 years. After helping found the campus radio station and installing a donated audio console at KTRU, the pair decided they could design a better one themselves and the company was born.
In the late 1990s, Logitek was the first North American company to offer a router-based digital console. Its first virtual PC-based console was introduced in 1999. By 2009, the company had pivoted to television, offering both physical and virtual consoles that seamlessly interface to production workflow automation systems.
mixIT represents Logitek’s return to its radio roots, offering a simple user interface, modern control, and the latest in standards-based networking technology at an attractive price.
Our vision for Audio over IP is simple: we believe that over time, every piece of audio equipment will have an Ethernet jack on it, and it should be as easy to connect something to the audio network as it is to plug an XLR into an analog or digital board.
The following is necessary to configure your system:
We are working on a new web server that will be compatible with Windows, MacOS, and Linux, but until it is ready, Windows 10 is required.
Download Jet67 Server here: https://logitek.link/J67Server
Create a folder on your PC called C:\Logitek and unzip the contents of this file there.
Run the program called Jet67Server when instructed to run JetStream Server in the next steps.
Using the supplied standard CAT-5 cable, plug one end into the RJ-45 port on the back of the JET-67 and the other end into the RJ-45 port on the back of the console.
While we use a standard Ethernet cable for this connection, this is NOT an Ethernet connection, so don’t plug it into an Ethernet switch! The console and JET-67 communicate via a RS-485 serial connection. We are also sending power on one pair of wires and AES-3 digital audio on another pair of wires to drive the cue speaker.
We recommend CAT-5 for this connection to adequately provide power to the console. CAT-6 and/or thin ribbon network cable generally use thinner wire which won’t work for this purpose. Good old-fashioned CAT-5 or CAT-5e will always work, even at a distance of 25 feet.
The JET67 uses quick-connect Phoenix-style terminal connectors. Insert tinned wire into the slot and tighten the screw to secure the wire. Each terminal block has a positive terminal, negative terminal, and common ground.
The JET67 works best with balanced audio. If you have an unbalanced input, we recommend jumpering negative to ground if you don’t have a matching transformer.
Unlike a traditional audio console, the mixIT controls an audio router. Therefore, you’ll notice there isn’t an output that’s labeled “program” or “monitor.” You decide where you want to wire your inputs and outputs and then configure everything in the software.
Instead of having an A/B switch over the fader, you’ll choose in the software what sources are allowed on each fader. You can have as many or as few choices as you’d like.
In the software, you will choose how many channels and input or output has (stereo or mono). You can split a stereo pair into two mono channels on either an analog or digital input or output.
Note that if you route a stereo mix to a mono output, the JET67 will NOT sum the two channels; you will hear left channel only. (However, if you’re wiring up an AM radio station, we do offer a mono program mix output so we can sum program for you.) If you route a mono input (such as a microphone) into a fader, the JET67 will copy the left channel to the right so the input will feed both left and right.
We use a program called JetStream Server to make an IP connection to the DSP card inside the JET67 to configure the engine.
JetStream Server, in turn, serves web pages to your web browser to enter information and upload to the engine.
Your configuration is stored in memory on the JET67. After you have configured the JET67 you can disconnect your PC and the audio engine will continue to control the computer. It is not necessary for JetStream Server to be connected to operate the console.
The configuration will remain in memory on the JET67 even if power is disconnected.
You can save the configuration in a JET67 to an .XLS file and keep it backed up and you can restore that .XLS file to the JET67 using JetStream Server.
The first column is the microphone inputs. The second is the analog inputs. The third is the digital inputs. The fourth is the analog outputs. The fifth is the digital outputs.
To add an input or output, click the ‘Add Input’ or ‘Add Output’ button over the respective column. To edit an input or output, click on the box for the desired input or output.
After you have connected JetStream Server, click on the Administration tab in JetStream Server (not in the web browser).
Change the Net 1 address from 192.168.67.200 to your desired address.
If you have a DHCP server present on your network, enter 0.0.0.0 to set the JET67 to use DHCP. (Auto IP is not currently available)
To commit your changes, go to the JetStream Log tab and then click Hardware Reset. The JET67 will reboot with the new address. Remember to change the IP address on the External Comm tab to the new address so Server can reconnect.
Important note if you are using DHCP: To determine what IP address the JET67 has obtained, connect the console to the JET67’s Console port. Tap on the word mixIT on the touchscreen. The IP address will appear. If the console was connected while the console was booting up, you may get a blank box when you tap on mixIT. If that happens, unplug the console cable from the back of the mixIT, wait a moment, plug it back in, and then tap mixIT again to see the IP address.
After you have connected JetStream Server, click on the Administration tab in JetStream Server (not in the web browser).
Change the Net 1 address from 192.168.67.200 to your desired address.
If you have a DHCP server present on your network, enter 0.0.0.0 to set the JET67 to use DHCP. (Auto IP is not currently available)
To commit your changes, go to the JetStream Log tab and then click Hardware Reset. The JET67 will reboot with the new address. Remember to change the IP address on the External Comm tab to the new address so Server can reconnect.
Important note if you are using DHCP: To determine what IP address the JET67 has obtained, connect the console to the JET67’s Console port. Tap on the word mixIT on the touchscreen. The IP address will appear. If the console was connected while the console was booting up, you may get a blank box when you tap on mixIT. If that happens, unplug the console cable from the back of the mixIT, wait a moment, plug it back in, and then tap mixIT again to see the IP address.
Each JET67 needs a unique number to avoid duplicating multicast addresses with other devices.
If you are integrating the JET67 in a Livewire environment, think of the JetNet Number as the same as the Node Number on an X-Node, and choose a JetNet Number that doesn’t conflict with your X-nodes.
We take this number and use it to select what channel number range to use as follows:
JetNet Number * 100 + stream number = Livewire channel number.
For example, the first stream created by a JET67 set to 3 is using Livewire channel 301.
The JET67 will come to you set to as JetNet 1 by default. If you need to change it, do the following in Jet67 Server:
Click on the Administration tab.
Change the JetNet number and hit enter.
Click on the JetStream Log page.
Click Hardware Reset. You may need to restart Jet67 Server after this step.
The change will take effect after the engine has restarted.
To create a new input, click Add Input in the Mic In column. To edit an existing input, click the box for the input. You will be taken to the input editor.
You will need to fill in the following information:
To create a new analog input, click Add Input under the Analog In column. To edit an existing input, click the box for the desired input to open the editor.
You will need to fill in the following information:
Digital inputs are handled exactly the same as analog inputs in the editor. The only difference is in the channel assignment.
AES audio carries two channels on one wire. Therefore, to assign a stereo input on AES input #1, assign left to channel 1 and right to channel 2. To assign a stereo input to AES input #2, assign left to channel 3 and right to channel 4.
You can also split the mono channels into separate inputs. (For example, a satellite receiver might have separate programming on left and right channels or a AES mic preamp might have microphone 1 on left and microphone 2 on right.) In this case you would set number of channels to 1 and select 1, 2, 3, or 4 as desired.
For all other settings, follow the analog input instructions.
To create an output, click Add Output in either the Analog or Digital column.
To edit an output, click on the box for the output that you wish to edit.
You will see the output editor.
Fill in the following information:
The Available Sources column on this page does NOT have a function on the JET67.
If you route a stereo mix to a mono output, the JET67 will send left channel only.
Click on a local input to edit it.
Check Yes on Send To Network.
Check AES if this is an AES-67 stream, Live if this is a Livewire stream, or Dante if this is a Dante Stream (J67-Dante card required).
Click Upload to JetStream.
The JET67 uses SAP to announce its streams to other devices. It may take up to 10 minutes for the other devices on your network to receive the announcement that a new stream is there. This is normal for SAP devices.
The Stream Name is the text that will be sent to other devices as well as appear on the console. You will find it helpful if you add the studio name or call letters to the second field so you can tell where this mix is coming from.
Check Yes on Send To Network. Check AES if this is an AES-67 stream, Live if this is a Livewire Stream, or Dante if this is a Dante stream (J67-Dante card required).
Click Upload to JetStream.
The JET67 uses a SAP system to announce streams to other devices. It may take up to 10 minutes for other devices to get the message that a new stream is there. This is normal for all SAP devices.
This page in the web browser shows streams being sent to the network as well as incoming streams from other devices.
While there is an “Add Outputs To Network” button here, you should use the “add to network” tick mark on the input editor and DSP Settings editor.
Note that the stream addresses aren’t real here. If this is an AES or Livewire stream, we derive the multicast stream address as follows:
JetNet number * 100 + last octet in the Stream IP address field = Livewire Channel ID number.
If this is a Dante stream, the first octet is the ID of the Dante card and the last octet is the stream number… but Dante does everything based on the stream name and device name and not IP address, so this is more of a housekeeping thing for us than it is for you routing a stream from a JET67 to another Dante device.
In reality, this tab isn’t anything for you to worry about. It’s the next tab that’s important.
Here you will see all of the network sources announced by other devices on the audio network.
Important things to note right away:
At the top, you see a message saying that Red Inputs from Network are NOT active. Ignore this message. It’s left over from the old Logitek networking system. Every stream will appear in red, always, and it’s fine.
You will notice that some of the Stream IP addresses are real and some aren’t. Again, this is normal; it depends on how the streams are being announced on the network (in particular, Dante is unicast so it’s not using multicast addressing).
What’s important on this page is that you have a list of every stream coming into your audio engine and this is where you will set things like mute groups, mix minus bus assignments, or GPI control for audio that’s not local to your JET67 and mixIT console.
Let’s start by clicking on a network input.
You’ll notice that this page is just like the local input pages, except you can’t edit the name of the stream or number of channels that are coming in.
Here’s what you can edit:
Mix Minus Bus assignment.
Mode. (If this source has two channels, Default means it will come up as stereo. You can also set the source to come up as mono, left only, right only, Lx, xR, or phase reverse)
GPI Inputs (assign a relay to turn the fader with this source on or off)
GPI Outputs (pulse an outgoing relay when a channel turns on and off or latch on with the fader button)
Mute group (assign this to mute the monitors with other mics in the studio)
Fader Start (turn on the channel when the fader is opened and off when the fader is closed.
Click Upload to JetStream when finished editing. You may need to click Refresh in Server for some changes to become effective.
Here is where you assign sources to the faders.
The columns of this grid are the available sources. The lines in gray are mixes from the DSP such as program, aux, mix minus, and the built in tone generator. The lines in blue are local inputs. The lines with a beige background are network inputs.
Left click in the columns 1-12 to assign a source to a fader. This will place an x in the box.
Right click in the columns 1-12 to set the default route on a fader. This is the route that the console will return to when the system is sent to its default settings. This will place a circle x in the box. Only one default can be set per column. If no default is set, the first source in the column is automatically made the default.
In the column for Studio In, set what selections to choose from in the Studio/Guest monitor selector. Common selections here are program, aux 1-3, air monitor, or an input with a processed feed where the talent can hear the output of the on-air processing chain if they can’t listen to air because of profanity delay or HD Radio diversity delay.
In the column for Monitor In, set what selections to choose from in the Control Room monitor selector. Common selections here are program, aux 1-3, air monitor, or an input with a processed feed where the talent can hear the output of the on-air processing chain if they can’t listen to air because of profanity delay or HD Radio diversity delay.
In the column for Phones In, set what selections to choose from in the Headphone monitor selector. Common selections here are program, aux 1-3, air monitor, or an input with a processed feed where the talent can hear the output of the on-air processing chain if they can’t listen to air because of profanity delay or HD Radio diversity delay.
In the Talkback Mic column, select the microphone you want sent as talkback to a mix minus when you hit the talkback button on the console. This is also the audio sent to the caller when using the Add Mic When Off feature on the mix minus bus. You can only select one source as the talkback mic.
If you want to mix microphones together to feed to talkback, here are your options:
Assign one mic to MixA In 1, a second mic to MixA In 2, and a third mic to MixA In 3. Then set MixerA as the talkback mic.
or
Tick the Pre-fader aux bus box for one of the auxes (such as aux 3) and tick the box for the same aux bus for Independent Bus Switching. Then set the output of that aux bus as the talkback mic.
Cue Dir and Mon Mtr are not used on the mixIT.
MixA1 In, MixA2 In, MixA3 In. This is a three channel submixer used to combine three sources. Assign one source to the MixA1 column, one source to the MixA2 column, and one source to the MixA3 column. These will be summed together and output as Mixer A.
Route 1, Route 2, Route 3: These are the three router widgets on the right-hand side of the mixIT-12 or the three router widgets on the mixIT-6. Assign tick marks to the sources you want available to be routed by these router widgets the same way you assign sources to the console faders.. Assign the output to either a local or network output.
Tip: you can rename these routers to what they are feeding in the DSP Settings section under Inputs. The label will appear both in the Surface Settings and on the router widget on the console.
Click Upload to JetStream to save your work. If you leave the webpage without saving, any changes will be lost.
This is where we can modify the DSP settings. Changes allowed:
Under Inputs, click on a fader to select which buses are turned on by default. Defaults for the faders is the program bus. If you wanted to make certain faders always turn aux on by default, click on the fader and put an x in the box of the bus you want turned on by default.
Also, under inputs, click on Router 1/Router 2/Router 3 to change the name displayed under the router widget. This is useful to name the router for its destination.
Under outputs, you can click on a DSP ouput to change the surface label of the mix bus. If you want to change Program to instead read “WKRP Program” here’s your chance.
Click to edit each mix minus bus. On the mixIT, 12 mix minuses are avaliable.
A mix minus starts with a mix bus such as program, aux 1, aux 2, or aux 3 and subtracts certain inputs from it. This is primarily used with remote broadcasts where there’s transport latency. You want the person in the field to hear everything in the mix but themselves. This prevents an echo coming back to the person in the field and making it difficult for them to talk.
The mixIT has 12 mix minus buses. You will tag the inputs, either local or network by editing them and entering the mix minus number and saving it. Then here on the DSP settings page you will define the mix minus bus and turn it on. Finally, you will route the output of the mix minus bus either to a local or network output to feed your equipment.
Here is what to do on the DSP Settings Page:
Once you have saved this, the mixIT system will be creating a mix minus and when you route it to an output you will hear the mix.
Things to remember: you can only assign one mix minus number to an input. If you assign the same number to more than one input, all of those inputs will be subtracted from the mix. You must turn on the mix minus here in the DSP settings page and either enable “add mic when off” (and have a talkback mic defined in Surface Settings) or enable “bus always on” for audio to come out of a mix minus output.
This is where we define microphone mute groups.
For a mute group you must choose the following:
Once you have defined a mute group on this page, go to each microphone input (local or network) and put the mute group number in the box named Mute Group.
When the first microphone in the group is turned on, the monitors will mute and the tally relays will turn on and remain so until the last microphone in the group turns off.
There are 10 available mute groups in the system, although most stations use one or two. The first two mute groups are capable of muting more than one monitor bus. Up to three tallies can be defined per mute group to activate multiple on air lights, logging skimmers, and the like.
The JET67 uses 5 pin European-style terminal blocks, commonly known as Phoenix connectors. These solderless terminal blocks are easy to connect.
Insert tinned wire into the slot. Use a small screwdriver to tighten the connection to the plug. Insert the plug into the jack on the back of the JET67.
The connections on the back of the JET67 are grouped as follows:
+ | – | Gnd | + | – |
Dig | In 1 | Dig | In 2 |
mixIT-6 and mix-IT-12
+ | – | Gnd | + | – |
Dig | Out 1 | Dig | Out 2 |
mixIT-6 and mix-IT-12
+ | – | Gnd | + | – |
Mic | In 1 | Mic | In 2 |
mixIT-6 and mix-IT-12
+ | – | Gnd | + | – |
Ana | In 1 | Ana | In 2 |
mixIT-6 and mix-IT-12
+ | – | Gnd | + | – |
Ana | In 3 | Ana | In 4 |
mixIT-6 and mix-IT-12
+ | – | Gnd | + | – |
Ana | In 5 | Ana | In 6 |
mixIT-6 and mix-IT-12
+ | – | Gnd | + | – |
Ana | Out 1 | Ana | Out 2 |
mixIT-6 and mix-IT-12
+ | – | Gnd | + | – |
Ana | Out 3 | Ana | Out 4 |
mixIT-6 and mix-IT-12
+ | – | Gnd | + | – |
Ana | Out 5 | Ana | Out 6 |
mixIT-6 and mix-IT-12
+ | – | Gnd | + | – |
Ana | Out 7 | Ana | Out 8 |
mixIT-6 and mix-IT-12
+ | – | Gnd | + | – |
Mic | In 3 | Mic | In 4 |
mix-IT-12 only
+ | – | Gnd | + | – |
Ana | Out 9 | Ana | Out 10 |
mixIT-12 only
+ | – | Gnd | + | – |
Ana | Out 11 | Ana | Out 12 |
mix-IT-12 only
+ | – | Gnd | + | – |
Ana | Out 13 | Ana | Out 14 |
mixIT-12 only
+ | – | Gnd | + | – |
Ana | Out 15 | Ana | Out 16 |
mix-IT-12 only
DB-15 Connector (female jack mounted on chassis)
Inputs grounded to activate. The maximum input is 12 volts. The outputs are opto-isolated electronic relays. The maximum load is .5 amps at 50 volts.
The mixIT is very easy to use. The console uses touchscreens to select sources and bus assignments and knobs and buttons to adjust levels and turn faders on and off. This gives the operator the best of both worlds: simple menus and fewer buttons while still allowing someone to operate the board on air by feel without looking at where their hands are going.
Any source can route to any fader. The sources are assigned during the setup process using the Surface Settings menu in the web browser.
Tap the name of the source over the fader to change it. A list of choices appears. Tap the arrow buttons to scroll through the list. Tap the name of the desired source to route it to the fader.
The console has 4 main mix buses: Program, Aux 1, Aux 2, and Aux 3. Usually Program is the main on air output.
As with changing the route, tap the name of the source over the fader you wish to change. Tap P (Program), 1 (Aux 1), 2 (Aux 2), or 3 (Aux 3) to assign the fader to the mix bus. When you have made your selections, tap “Done.”
To raise the audio level of a source, move the fader up.
To decrease the audio level of a source, move the fader down.
The dashes silkscreened on the panel marked “0” represents unity gain. This is the normal level for most sources. At this setting, there is still 10 dB of gain available on the fader if needed.
To turn a channel on, press the top push button under the fader. The on button will glow green.
To turn a channel off, press the lower push button under the fader. The off button will glow red.
To audition a source before putting it on the air, tap the “Cue” button. This will send the source’s pre-fader audio to the cue speaker built into the console. Tap the cue button again to take the source out of the Cue bus.
There is a talkback button over each fader. If a mix minus is associated with this source (for example, a codec for remote broadcasting), tapping the Talk button will route the studio talkback microphone (as defined in surface settings) to the mix minus output. Tap the button again to turn talkback off and resume sending mix minus to the output.
There is also a Talk button next to the Guest/Studio selector. This is often used to feed a monitor to a separate studio. Tapping this Talk button will insert the same talkback microphone into the Guest/Studio monitor feed.
The Studio/Guest, Headphone, and Monitor selectors are on the far right. Tap the source to change what audio is being fed to these outputs. The volume knobs below the screen will adjust the level.
There are three utility routers on the console that can be used to change what is fed to the air chain, recorders, or remote codecs. Tap the box for the router to change the input.
There are 4 scene select buttons on the mixIT-12. Different console profiles can be stored to those buttons in setup. Press the button to recall the scene.
Logitek Electronic Systems, Inc. warrants its professional equipment (excluding Logitek Software, which is covered by a separate warranty) against defects in materials and workmanship for two years pursuant to the following terms and conditions. The warranty extends to the original purchaser only.
LOGITEK will repair or replace, at its option, at its factory without charge professional equipment if a defect in materials or workmanship develops during the first two years following purchase, when the equipment is returned to the factory or LOGITEK authorized service centers freight prepaid with a description of the nature of the failure. No reimbursements can be made for repair charges that are not factory authorized. After repair or replacement, LOGITEK will return the equipment to the purchaser freight prepaid.
In the event that any part of this professional equipment becomes defective during the first two years following purchase, and purchaser wishes to attempt repair, purchaser may obtain a replacement part by notifying LOGITEK of the part of the equipment which has failed. LOGITEK will thereafter ship a replacement part, freight prepaid. LOGITEK may require the purchaser to return the defective part to LOGITEK freight prepaid as a condition of such replacement, either before or after LOGITEK ships the replacement part. LOGITEK shall not be responsible for any other charges or liabilities associated with purchaser-made repairs.
No part or equipment shall be considered defective if it fails to operate due to exposure to extreme temperatures or excessive moisture in the atmosphere.
Light bulbs, batteries, potentiometers or other equipment not manufactured by Seller shall carry only the warranty, if any, of the original equipment manufacturer in effect at the time of shipment of this order; and Seller’s obligation under this warranty shall be limited to such adjustment as Seller may obtain from the original manufacturer.
This limited warranty is void if equipment is modified or repaired without authorization; subjected to misuse, abuse, accident, water damage or other neglect; or has had its serial number defaced or removed.
No obligation is assumed by LOGITEK to update previously manufactured equipment. Specifications are subject to change without notice. EXCEPT AS SPECIFICALLY PROVIDED HEREIN, LOGITEK MAKES NO WARRANTY, REPRESENTATION, PROMISE, OR GUARANTEE, EITHER EXPRESS OR IMPLIED, STATUTORY OR OTHERWISE, WITH RESPECT TO THE EQUIPMENT, USER DOCUMENTATION OR RELATED TECHNICAL SUPPORT, INCLUDING THEIR QUALITY, PERFORMANCE, MERCHANTABILITY OR FITNESS FOR A PARTICULAR PURPOSE. IN NO EVENT WILL LOGITEK BE LIABLE FOR INDIRECT, SPECIAL, INCIDENTAL, TORT, ECONOMIC, COVER, OR CONSEQUENTIAL DAMAGES ARISING OUT OF THE USE OF OR INABILITY TO USE LOGITEK PRODUCTS, EQUIPMENT, OR SERVICES, INCLUDING, WITHOUT LIMITATION, DAMAGES OR COSTS RELATING TO THE LOSS OF PROFITS, BUSINESS, GOODWILL, DATA OR COMPUTER PROGRAMS, EVEN IF ADVISED OF THE POSSIBILITY OF SUCH DAMAGES. IN NO CASE SHALL LOGITEK ‘S LIABILITY FOR MONEY DAMAGES EXCEED THE AMOUNT PAID BY YOU FOR THE LOGITEK EQUIPMENT OUT OF WHICH SUCH CLAIM AROSE. THE FOREGOING LIMITATIONS SHALL NOT APPLY TO CLAIMS RELATING TO DEATH OR PERSONAL INJURY WHICH ARISE OUT OF PRODUCTS DEEMED TO BE CONSUMER GOODS UNDER APPLICABLE LAW.
Some states or provinces do not allow the exclusion or limitation of implied warranties or limitation of liability for incidental or consequential damages, so the above exclusion or limitation may not apply to you.
The warranty and remedies set forth herein are exclusive and in lieu of all others, oral or written,express or implied. No Logitek dealer, distributor, agent, or employee is authorized to make any modification or addition to this warranty.